Gemma's new record that I has the great fortune to be a large part of came out yesterday. I'm really very proud of what we did.
Here's a link to a nice review of it:
Gemma's new record that I has the great fortune to be a large part of came out yesterday. I'm really very proud of what we did.
Here's a link to a nice review of it:
Here is a great remix by Maps of a song Gemma and I did for her new album.
http://www.clashmusic.com/news/premiere-gemma-hayes-remixed-by-maps#
Just home from rehearsals with Paloma - such great great fun...
New music coming from Faune. A very very great pleasure as always....
I recently had the most wonderful experience working with Sainkho, Eyadou and Said who came here with Ian Brennan. Amazing music and amazing people. I'm really looking forward to seeing what the world thinks of what they created.
I became a fan of Laetitia's music when I heard her first album many years ago. I was mastering the instrumentals for her new album yesterday with Peter. It's a really great record. You can hear a track from it here:
http://laetitiasheriff.bandcamp.com/album/pandemonium-solace-and-stars
And here is a link to an RSS feed for news regarding the record:
http://laetitiasheriff.bandcamp.com/feed/album/pandemonium-solace-and-stars
Here's a sampler for a record I had such a great time working on.. Very happy for them that it's emerging from the cocoon...
Pretty much finished off Gemma's new record today. I think this picture says a lot about the sound of it...
Catering
Florian Egli and his jazz cats!
A number of years later JP passed by the studio again. He asked me if I'd be interested in working with him on a record he was making with an African band called Tinariwen. A friend of mine in Dublin had given me Amassakoul a few years previously, I really liked that record so I was more than happy to work with JP on this record. We spent a few hard weeks compiling and editing the record, it was recorded in very much a "field recording" method, so there was a lot of listening to do and choices to be made. A number of weeks later we finished the Imidiwan album.
A year later I was again asked if I'd care to mix the following Tinariwen record. I was explained how it was a different approach to the band. Somewhere between a collaborative and acoustic record - needless to say, though I seem to be, I was delighted to be working on another of their albums. There was a lot more to do on this one. The two producers, Jean-Paul and Ian Brennan, had recorded a lot of material in the desert and had invited others to join them and add to the recordings.
We spent a couple of weeks at a studio in Paris building the mixes, listening through the various takes of songs with Ian and Jean-Paul passionately arguing over where the record should get to. Passions ran high from time to time, it was indicative how how much we all believed in the band. We later adjourned to Black Box to mix a few more songs and fine tune the work we had been doing in Paris and after a few days last spring Ian headed over the John Golden to master the album that has been released as Tassili.
Some months later I found myself playing with my old band the Frames at the Other Voices festival in Dingle in Kerry, only to be rudely awoken early one morning by a message from Ian to say that Tassili had been nominated for a Grammy. I'm fortunate to be from a musical background that places a huge value on performance and during the mixing of Tassili I was struck many times by the potency of the band's performances. It's really gratifying to see that kind of authenticity being acknowledged.
So very happy for everyone involved.
You can hear some of the record here:
http://www.anti.com/artists/view/85/Tinariwen
Here's a letter that Lughán had printed in The Irish Times Today. Proud Dad Moment...
A chara, – The only truly abhorrent element of this Budget is the cut in overseas development aid. Development money goes to places with no living memory or realistic hope of prosperity. Minister for Public Expenditure and Reform Brendan Howlin (one of the six vice-presidents of the Association of European Parliamentarians for Africa) has imposed domestic austerity that may cause serious discomfort and anxiety; his cuts to global aid, however, will cause death.
I ask for empathy: it is not such a long time since we were in the grasps of famine – and we know well the scarring that colonisation leaves. Ireland has always punched above its weight with regard to global aid: let our banking reputation rise and fall, but please don’t tamper with what makes us proud to call this place home. – Yours, etc,
LUGHAN DEANE,
St Columbanus Road,
Dublin 14.
http://www.irishtimes.com/letters/

Last week a huge gathering of friends and family got together to play a show to celebrate the life of our departed friend, Mic Christopher. It was such a wonderful gathering, a night of friendship and music. How great it was to be reminded of where we all came from musically and to see all the different roads that people have travelled upon. I'm so sure Mic would have been proud.